Reminiscences of the West Highland Line

Last weekend saw me revisiting the West Highland Line in more ways than one. On the Saturday I travelled on the SRPS’ Railtour up to Fort William and Mallaig and on Sunday I was along at the Filmhouse in Edinburgh for Scotland by Train, a selection of short archive films in association with the exhibition of the same name at the National Museum of Scotland, and there I saw A Line for all Seasons, a 1970 film about the WHL. For me it is a case of revisiting, at least in part, as my earliest childhood memories are of living not far from Helensburgh Upper station with the line running in a cutting behind the houses across the road from us; my earliest recollections of trains and rail travel start there.

We first knew the station in the late 1960s. In many respects it was like Perks’ station in The Railway Children, except that I didn’t know of that book until after I knew this station. For me it was the other way round and their station was like mine.

Helensburgh Upper was entirely lit by gas. There were gas lamps in the covered walkway down to the platform from the road bridge. Two gas lamp posts – quite literally lamps attached to great wooden posts – on the platform before you reached the station building. Wall mounted gas lanterns under the canopy outside and interesting gas brackets within. The one I really remember is the little curly bracket over the ticket window. Later I recall seeing the tags hanging from each fitting to testify that they had been converted for natural gas, something of particular interest to an enquiring mind, as we didn’t have any gas appliances at home. The station didn’t get connected to the electricity supply until sometime in the 1970s – a matter of some disappointment to me at the time.

We almost seemed to have a family connection to the line and the station. My sister was born, at home, in 1967. I was three and, it seems, took the news of the new arrival very well. Some days later it was discovered that having heard a train pass just a few minutes before the birth I was under the impression that my new sister had come by train and was only visiting. It’s a tale my sister relishes and, despite not being overly fond of modern rail travel, she still refers to the WHL as her line. Later mother ran the small shop and filling station across the road from the station entrance and got to know the stationmaster – by this time the only member of staff employed there. His house was adjacent to the shop; indeed I believe that the shop was on railway land. It always intrigued me how he lived in a house across such a busy road from his station; now I realise that there was probably a way from the house to the station alongside the line and under the road – at least originally.

Being known by the stationmaster had its benefits. One cold morning when we were waiting for a train to take us to the city the stationmaster came out and apologised to mother that British Rail no longer provided him with coals for the waiting room fire. Instead he invited us into his snug office behind the ticket window. That was an unexpected treat for me. So much to see behind the scenes: the racks of tickets; the machine in which they were punched; the great grandfather-like clock ticking away with a face on one side to be seen through the ticket window, a face on the other to be seen in the office area, and rods out each side to drive the faces on the outside wall (the one towards the now disused up platform having been cut off). Some time later I received through this gentleman’s good offices a discarded BR cap, which I regret to say I lost many years ago.

This was a station that still held and continued some of the best traditions of railway service. Coming back from Glasgow one autumn afternoon the train broke down and we were considerably delayed getting home. The station lamps had already been extinguished by the time we got there but we were met by the stationmaster who escorted us to the street holding a lantern aloft to light our way and apologising, on behalf of the railway, for the inconvenience caused by the delay.

Over the years there were many changes in and around Helensburgh Upper station. Before I knew of it Dr Beeching had done his stuff. It used to be an island platform with tracks on both sides but by the time we came to be waiting there the tracks only passed the southern platform; the northern side was quite derelict. In our time there the telegraph poles were removed, I recall sitting with some friends on a fence watching the men cut them up with chainsaws and throw the insulators into the undergrowth.

Between the station and our house the road dipped down and there was a disused area of ground adjacent to the line. A neighbour of ours rented this plot from BR and used it to provide storage for sailing boats. Along with his son I got to explore this area, right up to the fence by the railway. In the undergrowth there was a large amount of railway debris lying about – the rods that connect a signal box to the points and pulleys for the signal wires. I had wondered whether this might have been a goods yard or something but perusal of those historic maps suggests not, probably just a piece of railway territory that was convenient for depositing materials when Dr Beeching’s henchmen had done their bit.

Helensburgh Upper station

Helensburgh Upper

Sometime in the 1980s the historic Highland railways building on the platform was demolished and replaced with a plastic bus shelter. I suspect that once the old stationmaster retired the place had officially become unmanned. Revisiting, and actually alighting there, in recent years I was struck by how much smaller the station appears than I recall. The initial reaction is that it is the usual experience of returning as an adult to something last seen as a child, but perusal of the historic map and comparison to the Google satellite view leads me to the conclusion that the platform is indeed about half the size it once was. The buildings I remember probably started towards the western end of the current platform – which would make sense when I recall that we’d walk past those lampposts and a large wooden signboard before reaching the near end of the building. Last week I noted that the platform had recently been extended.

The yard where the boats used to sit has been built on and flats now back onto the railway there. Mother’s shop now longer has the petrol pumps outside and the first school I attended is no longer a school. It’s all changed out of recognition and I’m starting to yearn for the good old days.

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SRPS Railtour: Fort William & Mallaig

SRPS Railtours

SRPS Railtours

Yesterday I joined the SRPS Railtour at Linlithgow for the run down the West Highland Line to Fort William and Mallaig. As always it was an excellent day out. The nine vintage Mk1 BR carriages were topped and tailed by West Coast Railways class 47 diesel locomotives, and the whole ensemble ran to time throughout the day. And particular praise for the way in which SRPS manages to organise the weather.

I have a particular regard for travel long the West Highland Line, especially as the line heads up from the Clyde coast above Helensburgh. I grew up there and am always amazed that you can see my old school (John Logie Baird) from the train – I don’t recall seeing trains from the school grounds when I was a boy, presumably there wasn’t one timetabled during break times. Then we pass in a deep cutting, which was just behind the houses across the road from ours, and into Helensburgh Upper – which was very much our local station. Doing this in these vintage carriages brings some of the memories flooding back.

SRPS have a new feature on their tours this season – complimentary at seat tea and coffee served in first class. At various points during the journey the volunteer stewards come rolling down the train; first one delivers the disposable cups; then comes the sachets of sugar, plastic inkwells of milk and lolly-stick stirrers; finally the thermos jugs of tea and coffee make an appearance to dispense the precious fluid. All very well orchestrated; quite a dress rehearsal for the way they manage to serve all those meals in a similar way.

When you consider the success of these trips, and the enjoyment had by all on-board (after the odd passenger has finished grumbling about the carriages being too hot, too cold, or too old), you very soon realise that it’s largely down to the excellent work of the many volunteers carrying out duties on board. Apart from the driver(s) and guard, who are professionals from West Coast Railways, everyone involved is an unpaid volunteer. Yes they get to go on the trip too, but unlike the rest of us they’ve pretty well walked all the way to Mallaig one way or another.

Well done everyone!

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The Stationmaster’s Farewell

The Stationmaster's Farewell

The Stationmaster's Farewell

Inspector Colbeck’s ninth, and latest, case takes him, and Sergeant Leeming, all the way from London to Exeter. It’s November 1857 and the remains of the well-regarded stationmaster at Exeter St David’s station have been discovered in the remains of a Guy Fawkes Night bonfire at the cathedral. The Railway Detective has been called in by a director of the South Devon Railway to the chagrin of the local force and the Bishop who already believe they know the identity of the murderer.

Inspector Robert Colbeck is determined that justice will prevail and, despite wanting to get back to London in good time for his own impending wedding to an engine driver’s daughter, is not ready to condemn even the most detestable of individuals unless the evidence is incontrovertible.

Despite the horror of the crime and the distinct lack of sympathy evinced by many of the characters the tale is not without humour. Sergeant Leeming’s continued dislike of rail travel yet almost childish interest in Brunel’s failed atmospheric railway runs as a theme throughout the book.

The historical detail, both railway and social, is well handled yet this remains a detective story in the best traditions of the genre. The obvious isn’t always what it seems; the good come through with a promise of better things; the bad get their just comeuppance; and the real criminal is destined to face the full rigours of the law.

Another excellent tale from Mr Marston.

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The Last Train to Brackley Central

The Last Train to Brackley Central

The Last Train to Brackley Central

Stephen Done’s latest instalment of British Transport Police’s Detective Inspector Vignoles’ exploits is very much a ghost story. This is Mr Done’s fifth book about the detective inspector and it is now 1950. The world has moved on, Britain may still be in the grasp of post-war austerity measures but nationalisation is the new reality for those working on the railways and there are still loose ends that need to be cleared up after the disruption of wartime.

A valuable ring has, over the past sixty years, been lost, found and taken. Enter Richard Irons a newly qualified teacher who finds himself drawn into an eerie game of hide and seek with an enigmatic young lady he meets on the last train from Marylebone to Brackley Central: A young lady who disappeared seven years earlier and is assumed to be dead; which she is. Irons is led into carrying out a single burglary, is caught, released and ends up murdered himself.

Detective Inspector Vignoles, Sergeant Trinder, Constable Howerth (given a second chance after being dismissed from the railway due to his unfortunate involvement with a gang of crooks in an earlier volume), Eddie Earnshaw (his friend, still trying to make his way up as a fireman) and signalwoman Laura Green, all end up involved in the ghostly investigation.

Those that prefer their ghost stories to be a little more circumspect as to whether or not there really is an unseen force at work may not enjoy this story, but ultimately a satisfactory conclusion is reached where the wrongs of the past are brought to light, and paid for, and we are shown that a ghost on the railways can be peaceful.

The good detective inspector, along with his police and railway colleagues, has been tangled up in a number of remarkable cases over the five books in which he appears. He’s been sent to investigate in Europe and now has to consider the spirit world (though he’d be loathe to admit it). Leaving aside the extraordinary situations – well ordinary day-to-day railway policing wouldn’t make half as interesting a story – all five books are well grounded in their time, with plenty of railway and social detail to colour the scene, but never so heavily laid on to get in the way of a good yarn.

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Forth Circle Steam Special

This morning there were well over a hundred passengers waiting on platform 1 at Linlithgow station for the SRPS Railtours Forth Circle Steam Special. As a regular commuter from Linlithgow I doubt there’s even such a volume during rush hour, even when a train or two have been cancelled. Apart from these particular excursions where the entire train boards in one go (most pick up at a number of stations along the route) I suspect the only other time the station’s seen such volumes would have been the old-time specials for works’ outings and the like. The station announcer was certainly having a hard time reiterating the need to ‘stand behind the yellow line’.

Our train departed a little after 9.20 and proceeded via the Forth Bridge, Inverkeithing, Glenrothes, Dunfermline, Alloa and Stirling before pulling back into Linlithgow just before 1.20pm. Five hours for a ninety-mile journey isn’t exactly high-speed, but that’s not what you’re looking for when travelling in beautifully maintained vintage 1960s carriages behind a classic 85-year-old steam locomotive. This is a leisurely trip for those who wish to savour the joys of rail travel as it once was; the romance of steam and lunch served at your table.

46115 Scots Guardsman

46115 Scots Guardsman

Our locomotive today was Royal Scot Class 4-6-2 46115 Scots Guardsman. 46115′s claim to fame, if it needs one, is that it ‘starred’ in Night Mail (the 1936 film). In preparation for today I sat down and watched the film on DVD and have to admit that I didn’t recognise her on screen. The locos seen in close-up in the scene at Crewe, the one that came down from London being uncoupled and the fresh one for the journey north put in its place, don’t appear to be her – one of them certainly sports the wrong number. I therefore have to presume that the starring role came in the later part of the film, when the train is ‘crossing the border’, those images of the open firebox and smoke from the funnel. Nevertheless I saw her ‘shovelling white steam over her shoulder’ as we ran through the spring sunshine all while sitting in my seat thanks to being at the rear of the train, facing forward and a few handy curves on the line.

When travelling on one of these specials the entertainment is often to watch the photographers desperate to get a shot of the train as she ‘noisily passes’. Line-side, as well as a few dozen standing with their tripods on rocks at the edge of the Forth (just as well the tide was out), I also saw one chap atop the climbing frame in the children’s play park as we departed Linlithgow and a few who’d injudiciously parked right on the roundabout on the way into Alloa. The photographers on board were just as precarious, hanging out of the windows despite the notices and announcements warning not to do so – some of the branches rattle right against the carriages and would do more than comb the hair of the unwary. Back in the 1930s the cameraman on Night Mail had to be hauled in quickly by a couple of assistants holding his legs when he was capturing shots of the mail bags being collected from the line-side equipment, I suspect that no-one on board was being assisted in such a way.

The other thing to watch for is the reaction of the animals we pass. Some ‘slumber on with paws across’, others flee from the snorting beast, even the Fife Circle train that passed ahead of us over the Forth Bridge gave a timid little yelp on its horn as it caught sight of us waiting to join the main-line at Dalmeny. They’re just not used to seeing such a sight on today’s railway, what a shame.

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The Cost of a Stamp

Stamp Books

Stamp Books

Next weekend the price of UK postage will rise by an unprecedented amount. First class goes up from 46p to 60p (+30%) and second class from 36p to 50p (+39%) with effect from Monday 30 April. A century or so ago the first price rise after the 1840 introduction of the universal penny post was an enormous 50%. Then the price jumped from one penny (1d) to a penny-ha’penny (1½d), but it was the first increase in over 50 years and almost certainly in line with prevailing inflation over the intervening period. In the decades after prices would rise again but generally the cost of posting a letter would remain as affordable to most as it had been at the outset, more affordable for many. How have we come to this “inflation busting” increase now?

For the first thirty years of the original penny post the Post Office was running the letter service at a loss. This was accepted (though not by all in authority) in recognition that the post was a public service that could assist with social cohesion at a time when new industrial practices threatened to pull families apart. Eventually the Post Office started returning a profit: Mail volumes had risen dramatically as the populace embraced the idea of communicating regularly by letter; costs came down as the railways expanded enabling the swift and convenient carriage of the mails to all parts of the country. With the Post Office possessing a monopoly on the carriage of letters it was able to effectively cross-subsidise the more expensive long distance and rural services from the revenues generated on the high volumes of short distance intra-city mail. This was the essence of pricing a universal, one price, service.

Over the last couple of decades the situation has changed dramatically. Royal Mail has once again been recording significant losses on its letter service. This is almost an exact reversal of the nineteenth century circumstances. Volumes are dropping; long distance communication, whether by individuals or business, is now more likely to be carried out by email, text message and social media exchange. There is no longer a monopoly and other operators, without an obligation to deliver a universal – one price for all – service, can offer lower costs to those sending large volumes of mail or for ‘local’ delivery within large conurbations. With loss of the lucrative custom to offset the cost of providing other services financial losses are the inevitable result. The country is still communicating but in different ways.

No one believes that Royal Mail can return its volumes to their previous levels. The genie of electronic communications is out, nothing will get it back into the bottle and the monopoly is not going to be reinstated. The concept of a national postal system effectively receiving a subsidy from the public purse to maintain the status quo is politically unpalatable and would certainly fall foul of European competition rules in any case. This leaves Royal Mail having to increase its prices to something akin to the actual cost of the service, but that will inevitably lead to a further erosion of volume. There is a real danger of the whole thing getting into a feedback loop of increasing costs and decreasing volumes. The future operation of the postal network is going to be a difficult balancing act for whoever’s in charge.

Nostalgia for the service and styles of the past is pleasant, but we all live in the modern world with all its technological advances. We probably will have to recognise that cards and letters delivered to our door have become something of a special occasion thing, the post something of a niche market and priced accordingly. It is still a service with a place in modern society, a very special one, so we must hope that there’s no postal Dr Beeching intent on decimating what remains of the network in a misdirected desire for short-term cost ‘efficiency’ that we will all come to regret.

“And none will hear the postman’s knock
Without a quickening of the heart,
For who can bear to feel himself forgotten?”
(Night Mail - W H Auden)

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‘The Fab 4′ at Barrow Hill Roundhouse

Barrow Hill Steam Gala 2012

3 of the Fab 4 at Barrow Hill

The Fab 4 in question are not that Liverpudlian pop group but four of the greatest steam locomotives in the country – 4468 Mallard, 60163 Tornado, 4464 Bittern and 60532 Blue Peter. Sadly 4472 Flying Scotsman was indisposed and unable to attend. But what a show! It’s more than the locomotives, quite literally lined up posing for the expectant photographers, but the place itself; not just a place preserved but one still very much working in the best traditions of its 140 year history. The roundhouse may have been put out of use for regular railway service by the advent of diesel but this one is now the home of the Deltic Preservation Society – the roundhouse goes full circle.

Arriving early (thoroughly recommended when attending any great event like this) I found myself in a massive queue of ‘older’ gentlemen – older than me. You might think that would be the order of the day; it’s true that the gender/age bias was very marked, but it wasn’t universal. There were youngsters, and not just the Thomas the Tank Engine brigade, how about the little girl overheard patiently explaining to her grandad that 61994 The Great Marquess is not a tank engine, and detailing the difference? Along with the new generation of engine crew I noticed (not all male, at least not on that traction engine, I may add) and Barrow Hill and friends seem to be doing their bit to preserve more than just the hardware.

60163 Tornado shovelling steam

60163 Tornado

And, at long last, I got to see Tornado on the flesh – shovelling white steam over her shoulder!

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See Scotland by Train

See Scotland by Train exhibition at the National Museum of Scotland, Edinburgh

'See Scotland by Train' exhibition at the National Museum of Scotland, Edinburgh

The See Scotland by Train exhibition at the National Museum of Scotland (on until Sunday 24 June 2012) may only be small but it is well worth a visit. The display is principally of posters from the museum’s own collection (although there are some from the National Railway Museum‘s collection as well) and covers the whole timetable from an early 1895 poster for the ‘East Coast Route’ from London to Edinburgh right through to some of the latest advertising from today’s East Coast service. Artistic impressions of Scottish scenery are well represented from that earliest poster through to the modern photographic works (some of which are in a style very reminiscent of the earlier artwork).

There are a number of examples of Terence Cuneo’s work, complete with trademark mouse (there’s fun to be had spotting the mice, nearly as good as trying to find the hare in Turner’s Rain, Steam, and Speed in London’s National Gallery). Particularly interesting is the back-story to Cuneo’s Tay Bridge poster, complete with diesel train thereon. Apparently the artist was perched high on a windy girder to sketch the scene and British Rail ‘parked’ the train on the bridge for him to do it – now that’s a ‘photo opportunity’ if ever there was one!

As well as the posters there are a number of other artefacts on display – a paint mixing machine for the Forth Bridge (no longer required as the bridge is now ‘painted’ in a special oil rig type coating), four BR ‘totem’ station signs as well as an older wooden sign and a modern Scotrail version, and outside the room a station handcart complete with luggage. It all adds to the atmosphere.

Just as you enter the gallery there is a small area to one side where one can sit to watch a continuous twenty-minute loop of railway film clips. Everything from a very early 1897 clip of a train going across the Tay Bridge, a 1930 clip of the Flying Scotsman, Night Mail from 1936 (though it stops before the bit with “shovelling white steam over her shoulder”), Brief Encounter, The Titfield Thunderbolt, two version of The 39 Steps - both with a Forth Bridge scene which is not in the original book and one with excellent vintage shots of Kings Cross and Edinburgh, Waverley Stations, and one clip that particularly interested me from a short film titled County on the Move showing scenes of West Lothian and a wonderfully evocative shot of a mid 1960′s Linlithgow. And there was plenty more, including BR advertising, you could sit and watch it multiple times just trying to catch a glimpse of something else.

And if you like railways there is more to see elsewhere in the museum. A girder from the old Tay Bridge, models of locomotives, more BR ‘totem’ station signs, a signal gantry from Stirling Station etc. It may not be a transport museum, but there’s plenty of it there if you look.

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Which Platform?

Platform information indicator

Platform Information Indicator

At my local station some work is underway to improve the electronic information boards. The one in the waiting area by platform 1 has been upgraded from what appeared to be a second-hand portable television on a shelf high on one wall to a slightly larger flat-panel device; it’s in the same position but much more readable for some of us. Out on the platforms the equally vintage CRT monitors have been replaced with orange dot-matrix units; much more legible, especially when we get any bright sunlight. The next big innovation will be for the information to be relevant and up-to-date.

Getting information about where a particular train is, will depart from, or go to has always been a problem for travellers. Jerome K Jerome in his 1889 book Three Men In A Boat describes a scene when the boating party arrives at the station to start their outing:

We got to Waterloo at eleven, and asked where the eleven-five started from. Of course nobody knew, nobody at Waterloo ever does know where a train is going to start from, or where a train when it does start is going to, or anything about it. The porter who took our things thought it would go from number two platform, while another porter, with whom he discussed the question, had heard a rumour that it would go from number one. The stationmaster, on the other hand, was convinced it would start from the local.

The party then proceed to enquire of the traffic superintendent and others about the station all of whom say they do not know but believe that it is somewhere else entirely. Eventually they bribe the driver of a train “and begged him to be the 11.5 to Kingston”. This gets them to their destination but they subsequently learn that it “was really the Exeter mail, and they had spent hours at Waterloo looking for it, and nobody knew what had become of it.”

This all sounds so familiar, like nothing much has changed over the last century. In my time as a commuter I’ve encountered a train crew at Edinburgh Waverley staring at the board trying to work out where the train they’re supposed to be taking out is (I wonder if half-a-crown would have been enough to bribe them to be the one I wanted to get?). I’ve also worked, out-with the world of railways, with a chap who, as a student, had a job as a ticket collector on one of Scotland’s main stations; he told me that when pestered by the public wanting to know why a train was delayed, as he wasn’t told anything, he would make up the most outrageous story he could think of – and most times the complainer would go away ‘happy’. Might that explain “leaves on the line”?

Old style platform indicator

Old style platform indicator

There were information boards at stations 120 years ago. They would be manually operated, and could be as simple as a finger post put in place by one of the porters. At larger stations clever solutions much like cricket scoreboards were in place; placards would be placed, from behind, against specially designed windows up in a sort of signal box affair facing the passengers to give details of the time, platform, destination and principal calling points of departing services. Similar information would also be presented for arriving trains. I recall this latter arrangement being in place at Aberdeen as late as the 1970s and I am sure it was still in operation at that time in many other places as well.

Automated indicator boards have been round since the 1930s. In 1934 the Great Western Railway was trumpeting that Paddington Station in London had “a new type of electric indicator, quite recently installed, and the only one of its kind in the world”. Going on to explain that the “indicator is controlled from an office some distance away, and is not visible to the operator, but a miniature panel, which give the operator similar information to that displayed on the indicator, is provided in the control office.” The description sounds like one of those ‘flip over’ types that were just about everywhere until about ten or fifteen years ago. There’s a story that, after the Penmanshiel Tunnel disaster, when the only way trains could run direct from Edinburgh to London was via Carstairs and the West Coast Mainline to Euston, the indicator boards at Waverley didn’t have a panel for ‘London Euston’. To have the boards adapted would take too long, and cost too much, so a chap was sent up with a pot of paint and painted the necessary onto a blank, which served the purpose and nobody any the wiser. Later I have memories of seeing London Paddington appear on such a board with the addition of a little graphic of Michael Bond’s famous bear.

Regardless of the modern electronic displays, or the old fashioned manual devices, we’re still dependent on the people behind the scenes who pass on the information doing so accurately and in good time. And sometimes don’t you get the feeling that they’re just playing with us … “This is a platform alteration ….”?

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Firsts at Linlithgow station

Linlithgow

Linlithgow station sign

Various publications by Linlithgow Civic Trust proudly assert that Linlithgow station is “one of the best preserved original through stations completed by the Edinburgh and Glasgow Railway” and that it boasts “one of the first subways on a Scottish railway.” The station also has a claim to fame in that it appears in what is probably the first ever photograph of a railway station, by way of an image taken by David Hill and Robert Adamson in 1845 (only three years after the station was built). All this is now the subject of a new ‘info panel’ erected by the Civic Trust under the canopy on platform 1.

That bit about having “one of the first subways” has intrigued me for some time. In the first place I don’t believe that the current subway is contemporary with the original station. The give-away is in the bridge numbers (there are modern sign-plates detailing the bridge numbers and these are very obvious up on the platforms) the subway is numbered 37A - the suffix effectively indicating that it wasn’t there when the bridges were first numbered on initial construction of the line. Then there’s the passage itself – narrow, low, very rectilinear, and reached by stairs from the platform with a sharp right-angled turn at the foot – none of which I can imagine proud Victorians being very happy with. It’s possible that the original structure of the subway has had to be lined, and therefore narrowed, in recent times – but even so it has all the hallmarks of a later, cost-conscious, addition.

Linlithgow Station original arch

The original entrance to the Linlithgow station subway?

Looking at old pictures of the station and the evidence in the present architecture I think that a different “subway” may have been the original. The position of the stairs down from platform level seems to tie in with the location on the old photographs, they are wide and open: The cover may be modern, but so are all the structures on the south side of the line. The ninety degree turn into the narrow passage under the line is incongruous in comparison and I think the way out was almost straight ahead.

Out on Station Road where it passes hard by the station building and under the line, on the other side from the station building, there is a filled-in archway in the retaining wall, which, if it were open, would line up almost exactly with the existing steps from the platform. Was this the original way up? I think it almost certainly was a way up and the underpass we see now, in whatever form, and whenever installed, a later addition and “improvement”. The new subway if it was installed in the early days may have been added as a convenience for staff, and perhaps passengers, in addition to the ‘main’ access through the archway onto Station Road and under the railway by that means.

In the last couple of weeks portable accommodation, a mechanical digger and other construction paraphernalia has appeared in the car-park adjacent to platform 2. Notices in and around the station indicate that these visitors will be there right into the summer – and working at night. I suspect that this is the long anticipated work to install lift access to platform 2 (there is already one through the original station building up to platform 1) and provide “access for all”. But, if that is the case, then I would think the underpass as it currently stands would not be altogether fit for purpose – I wonder if access to that old archway will be opened up?

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